- #EWQL SYMPHONIC ORCHESTRA GOLD VS GOLD COMPLETE PATCH#
- #EWQL SYMPHONIC ORCHESTRA GOLD VS GOLD COMPLETE UPGRADE#
- #EWQL SYMPHONIC ORCHESTRA GOLD VS GOLD COMPLETE FULL#
But at least the Gold version you can probably run with just one machine as Chris does.
#EWQL SYMPHONIC ORCHESTRA GOLD VS GOLD COMPLETE FULL#
except that you would very likely need SSD's and lots of RAM to run a full "Hollywood" template without hiccups. I'll reply again if I come across any better deals.ĭon't forget they released the entire Hollywood lineup as "Hollywood Orchestra," so I guess it's now officially the successor to Symphonic Orchestra. Add the product to cart to get the discount. I'm withholding judgement on the library until I hear more demos, but for anyone who is interested in purchasing, there is a group-buy going on at JJRshop, for a final price of $339 (for gold). A lot of sample devs do this, and it's a practice I wish EW would adopt. It would have been much more productive (for everyone) to provide a walkthrough of some of their demos. Regardless, banning you was a really bad move - I believe firmly in transparency. Thomas Bergesen is one of the best mock-up guys in the industry, and I wouldn't be so quick to discredit his work.
I've spent a lot of time with Hollywood Strings over the past few years, and feel quite confident that their demos are legit. Companies that actually care about the people using their software, not just the money. I will instead support smaller developers, like audiobro, embertone, Impact Soundworks, etc., who HAVEN'T turned into corporate machines designed to gauge their clients. Soundsonline will NEVER get another cent off of me. Their response? I was banned from the EastWest/Soundsonline forums because I echoed a sentiment others had felt, and actually questioned them rather than stroking the egos of Doug Rogers, Nick Phoenix, and company. or layered their own library on top of others, spent a full day or more tweaking MIDI data for a one-and-a-half minute track, and ran the patches through an expensive rack of reverb and EQ units, then passed it off to the customer as "Yup, you can TOTALLY achieve that result with this software."
much more realistic) their demos sounded compared to the products they actually sold - to the point that it seemed like they recorded the demo pieces live. I still refuse to do business with them because, a couple of years ago, I called them out on how different (i.e. The other issue I have with Soundsonline is their blatant dishonesty when it comes to marketing. A few megabytes of difference? Sure, I can chalk that up to differences in the engines but a 210MB difference? And that's with the Soundsonline team coding within their own engine.
#EWQL SYMPHONIC ORCHESTRA GOLD VS GOLD COMPLETE PATCH#
I shouldn't need 32GB of memory and an SSD to run an orchestral template in my DAW - one ensemble violins patch in LA Scoring Strings (1st Violins Full Legato) takes up about 68MB of ram, a similar patch in Hollywood Strings (1st Violins Legato Slur LT) takes 280MB. That's an excuse, but it's not a justification.
#EWQL SYMPHONIC ORCHESTRA GOLD VS GOLD COMPLETE UPGRADE#
So if you plan to upgrade your system / purchase a new one in the near future there is no need to avoid PLAY anymore IMO. Since i run this setup everything is also very stabile now. Even the powerful systems patches from hollywood strings take only 4-7 seconds to load. The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA eclipses all others with the highest level of fidelity and realism.But since i upgraded to 32 GB ram and purchased external thunderbolt SSDs its working extremely well. This eliminates the need for artificial reverb. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor‘s position) and hall.
Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, including winning Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. Recorded by 11-time Grammy nominated classical recording engineer Prof.